Difference between revisions of "329-2010--Week 10 Questions/Comments"
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== The movie as a primary source about the time/people who made it == | == The movie as a primary source about the time/people who made it == | ||
| − | A 1987 New York Times article, “Film: John Sayles's 'Matewan'”, by Vincent Canby, states, “The characters are either good or evil. They're the idealized figures portrayed in the Government-sponsored murals that, during the Depression, were painted in post offices and other public buildings from one end of the country to the other.” Canby also describes the character of Kenehan as “a figure of mythic proportions, part Joe Hill, part Jesus Christ. His task: to give direction to the miners' negotiations and to prevent the kind of sabotage and violence that would give the company an excuse to bring in their goons. That he must fail is the film's distantly heard, mournful theme.” John Sayles wanted to portray the hardships the miners endured and give insight to the harsh realities faced by union members. So in this film, it is permissible to create a fictional character in order to convey the director’s message while attempting to stay as historically accurate as possible. –Samantha W. | + | A 1987 New York Times article, “Film: John Sayles's 'Matewan'”, by Vincent Canby, http://www.nytimes.com/1987/08/28/movies/film-john-sayles-s-matewan.html states, “The characters are either good or evil. They're the idealized figures portrayed in the Government-sponsored murals that, during the Depression, were painted in post offices and other public buildings from one end of the country to the other.” Canby also describes the character of Kenehan as “a figure of mythic proportions, part Joe Hill, part Jesus Christ. His task: to give direction to the miners' negotiations and to prevent the kind of sabotage and violence that would give the company an excuse to bring in their goons. That he must fail is the film's distantly heard, mournful theme.” John Sayles wanted to portray the hardships the miners endured and give insight to the harsh realities faced by union members. So in this film, it is permissible to create a fictional character in order to convey the director’s message while attempting to stay as historically accurate as possible. –Samantha W. |
== Comments on the reading versus the movie == | == Comments on the reading versus the movie == | ||
