Difference between revisions of "328 2010--Week 2 Questions/Comments"
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(→Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880”) |
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I really liked the Tony Horwitz quote that Fahs included (and not just because he might be one of my favorite authors). She said that in the late nineteenth century Americans "reclaimed a past of their own creation." It's so important for us to remember that collective memory is constantly changing. Perceptions of the Civil War changed with the changing attitudes about war and women of the time. It makes some sense that, postwar, women's stories might be pushed to the side in favor of more masculine stories about the front. Returning veterans were a very visible part of post-war life; women's suffering, while obviously still with them, was no longer front and center. So, perceptions shifted, and they continued to change with the country, eventually colliding with the force-to-be-reckoned-with that was Gone with the Wind. I think it's safe to say that many Americans hold certain ideas about the Civil War based on that novel alone, as well as ideas from all of the other Civil War books and movies produced over the past few decades. Not all of these memories are accurate, maybe most are not, but they represent something very real to the society that holds them as well as an interesting challenge to historians fighting to keep a semblance of reality, as experienced by women and men, both Northern and Southern, in the conversation. -Mary Ann | I really liked the Tony Horwitz quote that Fahs included (and not just because he might be one of my favorite authors). She said that in the late nineteenth century Americans "reclaimed a past of their own creation." It's so important for us to remember that collective memory is constantly changing. Perceptions of the Civil War changed with the changing attitudes about war and women of the time. It makes some sense that, postwar, women's stories might be pushed to the side in favor of more masculine stories about the front. Returning veterans were a very visible part of post-war life; women's suffering, while obviously still with them, was no longer front and center. So, perceptions shifted, and they continued to change with the country, eventually colliding with the force-to-be-reckoned-with that was Gone with the Wind. I think it's safe to say that many Americans hold certain ideas about the Civil War based on that novel alone, as well as ideas from all of the other Civil War books and movies produced over the past few decades. Not all of these memories are accurate, maybe most are not, but they represent something very real to the society that holds them as well as an interesting challenge to historians fighting to keep a semblance of reality, as experienced by women and men, both Northern and Southern, in the conversation. -Mary Ann | ||
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| + | I really enjoyed finally reading something about how women's work and contributions were acknowledged and became part of a major event in US history. The essay said frequently that women's role in the war effort was vital and influential. The literature at the time included feminized literature that "involved a distinctive, sentimentalized patriotism." A good bit of the literature also centered on the woman's responsibility to "sacrifice their men for their country." The stories and articles seemed to focus on either persuading women to act patriotic to support their country or describe the emotions, struggles, and experiences of women or the "woman's war." It was sad to see that once the men came back from war the focus shifted more towards the masculinized war. Maybe it was to showcase the men for their bravery and patriotism for their country. -Amy Van Ness | ||
== Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880” == | == Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880” == | ||