Difference between revisions of "325--2011--Week 9 Questions/Comments"

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(Geoffrey Bennett, “Colour Comes to All,” The Story of Popular Photography)
(Geoffrey Bennett, “Colour Comes to All,” The Story of Popular Photography)
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In this excerpt Bennet writes about the history of coloured photography from the time that artists were painting in the colour on the photos as early as the 1800's.  Colour has always been a necessary part of photography.  We see too the drive to continually improve the camera to make it a motre sellable product.  Sometimes we see though that perhaps this had a negative effect on the actual quality of the photo.  We continue to attemp to achieve even greater heights in technological advancement, but like Samantha stated what will really come after digital? or have we reached a peak? Sheri Foster
 
In this excerpt Bennet writes about the history of coloured photography from the time that artists were painting in the colour on the photos as early as the 1800's.  Colour has always been a necessary part of photography.  We see too the drive to continually improve the camera to make it a motre sellable product.  Sometimes we see though that perhaps this had a negative effect on the actual quality of the photo.  We continue to attemp to achieve even greater heights in technological advancement, but like Samantha stated what will really come after digital? or have we reached a peak? Sheri Foster
  
In the readings of Bennett, I really enjoyed reading about the "tri-pack system" in which he uses to describe George Eastman's Flexible or roll film. The roll film was revolutionary for the development of the camera. He states on page 133, "though principles were understood, practical problems had prevented this dream from being realized". This dream was first realized on a coated paper, but later on moved to a transparent celluloid film where it blossomed. Thus the camera and it's technological advancements would have been hindered without the development of film and plastic. -Matthew Slagle
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In the readings of Bennett, I really enjoyed reading about the "tri-pack system" in which he uses to describe George Eastman's Flexible or roll film. The roll film was revolutionary for the development of the camera. He states on page 133, "though principles were understood, practical problems had prevented this dream from being realized". This dream was first realized on a coated paper, but later on moved to a transparent celluloid film where it blossomed. Thus the camera and it's technological advancements would have been hindered without the development of film and plastic. Perhaps plastic deserves more credit for the camera?  -Matthew Slagle

Revision as of 04:10, 17 March 2011