Difference between revisions of "325--2011--Week 9 Questions/Comments"
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(→Geoffrey Bennett, “Colour Comes to All,” The Story of Popular Photography) |
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The sheer quantity of models developed is staggering. Just as impressive, though, is that for many of those new and more expensive models, vital aspects of photography--such as the quality and clarity of the resulting photo--would not be improved, and would oftentimes decrease in quality in successive products. The idea that even moderate success could be claimed by a product that produced poorer images than its predecessors is surprising, but there were instances in which just that happened. The drive to make the camera smaller, more portable, and more attractive actually decreased its ability to perform its function. --NIcole S | The sheer quantity of models developed is staggering. Just as impressive, though, is that for many of those new and more expensive models, vital aspects of photography--such as the quality and clarity of the resulting photo--would not be improved, and would oftentimes decrease in quality in successive products. The idea that even moderate success could be claimed by a product that produced poorer images than its predecessors is surprising, but there were instances in which just that happened. The drive to make the camera smaller, more portable, and more attractive actually decreased its ability to perform its function. --NIcole S | ||
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| + | In this excerpt Bennet writes about the history of coloured photography from the time that artists were painting in the colour on the photos as early as the 1800's. Colour has always been a necessary part of photography. We see too the drive to continually improve the camera to make it a motre sellable product. Sometimes we see though that perhaps this had a negative effect on the actual quality of the photo. We continue to attemp to achieve even greater heights in technological advancement, but like Samantha stated what will really come after digital? or have we reached a peak? Sheri Foster | ||
