Difference between revisions of "328 2010--Week 2 Questions/Comments"
From McClurken Wiki
(→Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880”) |
(→Alice Fahs, “The Feminized Civil War: Gender, Northern Popular Literature, and the Memory of War, 1861-1900”) |
||
| Line 55: | Line 55: | ||
I also found the argument between the portrait of women encouraging the men to enlist and the effect of suffering because of sacrificing their men. Samuel Osgood explains his figure of women as “the good mother seated at the window from which floats the household flag, and watching intently the passing regiment and waving her handkerchief to some friend of kinsman…the nation seems to live in the person of this queen.” These women, especially mothers, appropriate roles are to sacrifice their sons and husbands for the good of the nation and, in this depiction, revel in their position in the military. “The patriotic mother and her daughter became a way of imagining personal obligation to the state.” In contrast, the picture of women suffering for their men is a truer reality than that of being happy during the war. Louise Chandler Moulton’s 1863 “One of Many” wrote “Is it not true that every bullet shoots double, and the shot which flies farthest makes the sorest wound?” In this sense a women is “wounded for far longer and far worse that the pain that the solider felt as he died and left her. I feel that Fanny Fern summed it up best in writing that she “who is giving her husband to her country, has given everything.” ---Morgan | I also found the argument between the portrait of women encouraging the men to enlist and the effect of suffering because of sacrificing their men. Samuel Osgood explains his figure of women as “the good mother seated at the window from which floats the household flag, and watching intently the passing regiment and waving her handkerchief to some friend of kinsman…the nation seems to live in the person of this queen.” These women, especially mothers, appropriate roles are to sacrifice their sons and husbands for the good of the nation and, in this depiction, revel in their position in the military. “The patriotic mother and her daughter became a way of imagining personal obligation to the state.” In contrast, the picture of women suffering for their men is a truer reality than that of being happy during the war. Louise Chandler Moulton’s 1863 “One of Many” wrote “Is it not true that every bullet shoots double, and the shot which flies farthest makes the sorest wound?” In this sense a women is “wounded for far longer and far worse that the pain that the solider felt as he died and left her. I feel that Fanny Fern summed it up best in writing that she “who is giving her husband to her country, has given everything.” ---Morgan | ||
| + | |||
| + | This article made me think a little more about the relationship between literature and history. I have never read "The Red Badge of Courage", but it my high school it was not taught in history classes, only english classes. If it is considered "real literature of the Civil War" as Hemingway put it, is it because it beautifully portrayed the war or the nation's notions of what the war meant. Or maybe it just made for a better story. Though I do have a strong interest in women's history, I can't help but find a battlefield more appealing than a northern home for a piece of fiction. -John Rowley | ||
== Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880” == | == Elsa Barkley Brown, “To Catch the Vision of Freedom: Reconstructing Southern Black Women’s Political History, 1865-1880” == | ||
