Difference between revisions of "329--Week 9 Questions/Comments"

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(3 Movie as primary source about makers/time/setting/genre)
(3 Movie as primary source about makers/time/setting/genre)
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I found a few interesting Cold War references in this 1946 American Western classic. Firstly, let us start with the genre. “The Western” itself is uniquely and quintessentially American, speaking in the most stereotypical terms. Westerns typically had a strong, moralistic, vigilante male who would rid the town of evil, and what better  time to extol American character and values than during one of the most vulnerable periods in our modern history- The Cold War. I think the “good vs. evil” dichotomy that dominated the Western narratives mirrors the “good vs. evil” battle being waged on the Cold War frontiers in the decade following World War II. Secondly, these films, especially ''My Darling Clementine'', are peppered with Pro- American rhetoric and symbolism. The first instance that struck me was when Wyatt Earp was talking to His brother James’ tombstone. Earp vowed that he would avenge James’ death by taking the law into his own hands and ridding the world of evil. Earp says “I'm gonna be around here for a while. Can't tell. Maybe when we leave this country young kids like you will be able to grow up and live safe.” I am sure safety and security was something that western frontiersmen wanted for their kin, but this particular dialogue smacks of RED FEAR! The second reference intrigued me for a few reasons, and that was the symbolism of the Church. The inclusion of the church struck me as out of place in a way. I do not know how common it was for churches to be found in cattle towns or mining towns, especially when vagrancy and immorality seemed to epitomize the way of life therein. Visually, the two American flags flying on the half- built church served to equate America with Godliness, leaving John Ford with yet another way to criticize those Godless Commies! - Jason Ward
 
I found a few interesting Cold War references in this 1946 American Western classic. Firstly, let us start with the genre. “The Western” itself is uniquely and quintessentially American, speaking in the most stereotypical terms. Westerns typically had a strong, moralistic, vigilante male who would rid the town of evil, and what better  time to extol American character and values than during one of the most vulnerable periods in our modern history- The Cold War. I think the “good vs. evil” dichotomy that dominated the Western narratives mirrors the “good vs. evil” battle being waged on the Cold War frontiers in the decade following World War II. Secondly, these films, especially ''My Darling Clementine'', are peppered with Pro- American rhetoric and symbolism. The first instance that struck me was when Wyatt Earp was talking to His brother James’ tombstone. Earp vowed that he would avenge James’ death by taking the law into his own hands and ridding the world of evil. Earp says “I'm gonna be around here for a while. Can't tell. Maybe when we leave this country young kids like you will be able to grow up and live safe.” I am sure safety and security was something that western frontiersmen wanted for their kin, but this particular dialogue smacks of RED FEAR! The second reference intrigued me for a few reasons, and that was the symbolism of the Church. The inclusion of the church struck me as out of place in a way. I do not know how common it was for churches to be found in cattle towns or mining towns, especially when vagrancy and immorality seemed to epitomize the way of life therein. Visually, the two American flags flying on the half- built church served to equate America with Godliness, leaving John Ford with yet another way to criticize those Godless Commies! - Jason Ward
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There was only one “Indian” reference, and it was not flattering to them at all. The Indian at the beginning of the film goes on a shooting rampage because he is too liquored up, then Wyatt Earp takes control of the situation by beating him over the head with a rock. Earp first chastises the townspeople for allowing an Indian to drink, (I assume because of the stereotype that Native Americans have a low tolerance for alcohol) then runs the Indian out of town saying don’t come back. Was such little contact with so few Indians the norm? Would interactions be so cruel? Was that interaction an accurate portrayal of White- Native relations back then, or was it more representative of America in the 1940s? - Jason Ward
  
 
== 4 Public reaction/impact ==
 
== 4 Public reaction/impact ==

Revision as of 19:05, 20 October 2008