Difference between revisions of "329--Week 6 Questions/Comments"

From McClurken Wiki
Jump to: navigation, search
(a Right:)
(2 Film's relationship to current scholarship or to primary sources from the time)
Line 62: Line 62:
  
 
Yes the portrayal of slaves is extremely absurd in this movie in relation to actual scholarship and history. From the readings it is clear that after the war the slaves were freed and left the plantations. The slaves would not come back to the same families they were enslaved by before and when they did show up again their former owners wanted them gone. The movie takes the ideas of patternalism seriously even though it was just a delusion of Southern Whites. - Jonathan Bell
 
Yes the portrayal of slaves is extremely absurd in this movie in relation to actual scholarship and history. From the readings it is clear that after the war the slaves were freed and left the plantations. The slaves would not come back to the same families they were enslaved by before and when they did show up again their former owners wanted them gone. The movie takes the ideas of patternalism seriously even though it was just a delusion of Southern Whites. - Jonathan Bell
 +
 +
Most of the primary sources we read dealt with both Whites and Blacks dealing with the after math of Emancipation. Whites unsure of what to do with the free labor society thrust upon them and Blacks surprising Whites by packing their grip and leaving. Gone with the Wind barely even mentions it as if they didn't even notice that this monumental change had taken place. It was definitely a White-centric view of the fall of aristocratic South.--[[User:Shauser|Shauser]] 17:04, 1 October 2008 (MDT)
  
 
== 3 Movie as primary source about makers/time/setting/genre ==
 
== 3 Movie as primary source about makers/time/setting/genre ==

Revision as of 23:04, 1 October 2008